Kumar Saraff - Personal Encounters

26th March - 14th May, 2011

Artists Exhibiting

Supporting Artists

exhibitions

New year's day

Watercolour

30 x 40cm

£520

Chickens

Oil on canvas

76 x 102cm

£2,000 framed, £2,438 framed

Corvidae in weary flight seek shelter

Watercolour

40 x 58cm

£595

Corvidae unmelodious song

Watercolour

40 x 58cm

£595

Doorway reflected

Oil on canvas

50 x 50cm

£750

Figure in the garden

Oil on canvas

30.5 x 30.5cm

£495 sold

Hazel copse under snow

Oil on canvas

25.5 x 35.5cm

£495 unframed, £669 framed

La Fleche and Legbar

Oil on canvas

76 x 102cm

£2,000 framed, £2,438 framed

Leghorns & Marans on an orange sheet

Oil on canvas

76 x 102cm

£2,000 framed, £2,438 framed

Looking out to sea

Charcoal on paper

25 x 35cm

£400

Looking through beveled glass

Oil on canvas

50 x 50cm

£750 sold

Mist muffled valley - early autumn

Oil on canvas

25.5 x 35.5cm

£495 unframed, £669 framed sold

Morning sun - golden landscape

Oil on canvas

25 x 35.5cm

£495

Cardigan Bay

Charcoal on paper

30 x 40cm

£430 sold

Rain over Cardigan Bay

Charcoal on paper

30 x 40cm

£430

Rookery

Lino block print, available in limited edition of 20

13 x 17cm

£192 unframed, £264 framed

Spring - Dinefwr park

Oil on canvas

25.5 x 35.5cm

£495

Summer clouds, mid Wales

Charcoal on paper

39 x 49cm

£475

Sunrise- prelude to autumn

Oil on canvas

25.5 x 35.5cm

£495 sold

When evening comes - August

Watercolour

22 x 30cm

£495

Winter gate

Lino block print, available in limited edition of 20

13 x 17cm

£192 unframed, £264 framed

Winter trees

Lino block print, available in limited edition of 20

13 x 17cm

£192 unframed, £264 framed

Paintings, drawings and watercolours by Royal Academy Schools trained painter, Kumar Saraff.

‘...Kumar really knows how to capture fleeting light and shadow and to make apparently drab scenes zing with pleasurable tension. It is a subtle form of theatre, endorsed by his own enjoyment of the colours and texture of oil and watercolour. Seeing his work for the first time it struck me that he has an Italianate way of composing landscape that has come down from Richard Wilson, the 18th century Welsh artist and the so-called ‘father of British landscape painting’ who was himself influenced by Poussin. If that sounds too fanciful, look at Kumar’s dramatic charcoal drawings of rain storms off the west Wales coast and then at an 1824 Constable sketch of a rainstorm near Brighton or a Turner painting showing a storm at sea. Constable and Turner admired Wilson very much and so the comparison doesn’t seem ridiculous at all.

Kumar’s work satisfies a need which many of us feel to believe that the British landscape is still as it was in Wilson’s, Turner’s and Constable’s days, (relatively) untainted by progress and supervised by (not always) benevolent landowners. We know that is an illusion. Nothing stands still and never will, but Kumar is so skilled at choosing subjects which avoid the ruder intrusions of modernity that his paintings allow us to forget the vanishing hedgerows without actually telling any lies.

Kumar’s landscapes and interiors are accessible enough to gladden the heart of traditionalists while striking a fresh note. To those who know them, it is startling to see such familiar places through different eyes.’ By Caroline Juler, art critic, Wales correspondent for Galleries magazine

Showing alongside will be a new collection of hand-built illustrated ceramics by Jacqueline Leighton Boyce; new jewellery- hand stitched and bound fabric with found objects- by Amanda Caines; silver rings and bracelets by Syann van Niftrik; and carved stone and bronze sculptures by Matt Caines and Caroline Juler.

Images

image image image image image image image image image image image image image image image image image image image image image image