SVN Necklace
Syann Van Niftrik
3D Short Link Necklace
Silver
£525
SVN necklaces
Syann Van Niftrik
Double Leaf Necklace & Necklet with Long Gold Leaf
Silver & gold
£585 / £405
6. SVN triangle link necklace
Syann Van Niftrik
Triangle Link Necklace
Silver
37cm drop
£423
4 SVN Long ladder earrings
Syann Van Niftrik
Long Ladder Earrings
Silver, hall marked
£135
5 SVN Long under slit earrings
Syann Van Niftrik
Long Under Slit Oval Earrings
Silver, hall marked
£135
Sold
SVN Rings
Syann Van Niftrik
Peak Forge & 2 Sickle Rings
Silver
£205 each
Peak Forge Sold
SVN Bracelet
Syann Van Niftrik
Forged Lapped, Forges Mobius & Forged Shift Bangles
Silver
£365 each
Forged Lapped Sold
SVN Brooches
Syann Van Niftrik
Dubrovnik Brooches
Silver & brass
£189 / £205
Top Brooch Sold
SVN Earrings
Syann Van Niftrik
Up Under Hive, Floating Keumbu Dart Oval & Long Slit Oval Earrings
Silver & gold
£120 / £135 / £125
7 SVN Long lobed earrings
Syann Van Niftrik
Long lobed earrings
Silver
£139
Sold
8 SVN Bangles
Syann Van Niftrik
Forged Mobius Flare Bangle & Forged Slow Turn Bangle
Silver, hall marked
£370 & £365
1 SVN rings
Syann Van Niftrik
Heavy Square Forged, Light Soft Forge & Forged Rough Rings
Silver, hall marked
£211, £188 & £154
Syann originally trained as a ceramic designer. The shift from architectural mural works to jewellery came when she moved to the Netherlands in 1971, and her first UK studio was set up in 1979. Syann is an established maker, who has exhibited widely and is currently a visiting lecturer on the BA Jewellery course at Central St. Martin’s, London. She also mentors students from Edinburgh School of Art, Central St. Martin’s and the Bournemouth Institute.
‘My early years were passed in Africa with unmistakable rhythms, textures and hues. I breathed it in deeply winding it freely into my northern birth right. Together these cultures gave me a palette of totems from which to create a comforting philosophy in the solidity and validity of abstract creation. My work draws freely from my environment without being representational. It is the possibilities inherent in the material and the making process that interests me and I like this to be discernible. I consciously keep the methods simple in order to leave room for elements of my subconscious, and the response of the viewer, to take hold. This together with a need to make a piece that sits on and moves comfortably with the body is what I seek to do.’