Bog Myrtle mire Spring mixed media 67 x 66 cm
Kim Atkinson
Upland Mire: Spring, Bog Myrtle catkins & Polytrichum capsules
Mixed media on papers
64 x 66cm
£700
Bog Myrtle mire Winter mixed media 67 x 66 cm
Kim Atkinson
Upland Mire: Winter, reed bunting among Bog Myrtle
Monotype on Chinese paper
64 x 66cm
£700
Bog myrtle mire Summer mixed media 67 x 66cm
Kim Atkinson
Upland Mire: Summer, Polytrichum moss spore capsules maturing
Mixed media on Chinese paper
64 x 66cm
£700
Bog Myrtle mire Autumn mixed media 67 x 66 cm
Kim Atkinson
Upland Mire: Autumn, orb web spiders
Monotype on Chinese paper
64 x 66cm
£700
Clifftop Sounds graphite and gouache on paper 67 x 49 cm
Kim Atkinson
Clifftop Sounds: Spring, skylark
Mixed media on paper
49 x 67cm
£575
Clifftop Sounds graphite and gouache on paper 67 x 50
Kim Atkinson
Clifftop Sounds: November, choughs calling
Mixed media on paper
49 x 67cm
£575
Clifftop Sounds summer mixed media on paper 67 x 49 cm
Kim Atkinson
Clifftop Sounds: July, grasshoppers, linnets, choughs, meadow pipit
Mixed media on paper
49 x 67cm
£575
Ffridd Sounds, Redstart and Tree Pipit mixed media on paper 67 x 65 cm
Kim Atkinson
Ffridd Sounds of Spring: tree pipit parachute song, redstart singing in oaks
Mixed media on paper
64 x 66cm
£700
Sound of Starlings monoprint 40 x 37 cm
Kim Atkinson
Starlings, fragments of sound
Monoprint
36 x 39cm
£320
Starling drinking, Starling bathing relief print edn. 4 40 x 37 cm
Kim Atkinson
Starling drinking, starling bathing
Relief print
36 x 39cm
£320
Starlings relief print edn 3 40 x 37 cm
Kim Atkinson
Starlings bathing
Relief print
36 x 39cm
£320
The sound of Starlings monoprint 40 x 37 cm
Kim Atkinson
Starling Noise
Relief print
36 x 39cm
£320
ISLAND 9
Noelle Griffiths
Island Mist I
Acrylic on khadi paper
29 x 29cm
£320
ISLAND 7
Noelle Griffiths
Island Mist II
Acrylic on khadi paper
29 x 29cm
£320
ISLAND green
Noelle Griffiths
Island Dusk I
Acrylic on khadi paper
28 x 28cm
£320
ISLAND green 2
Noelle Griffiths
Island Dusk II
Acrylic on khadi paper
28 x 29cm
£320
ISLAND II
Noelle Griffiths
Island II
Acrylic on khadi paper
48 x 57cm
£625
ISLAND I
Noelle Griffiths
Island I
Acrylic on khadi paper
48 x 57cm
£625
layer orange and pink
Noelle Griffiths
Layer - orange & pink
Watercolour & acrylic on paper
56 x 75cm
£625
trial 2
Noelle Griffiths
Layer - red & apricot
Watercolour & acrylic on paper
56 x 75cm
£625
2014 STILL MORNING
Noelle Griffiths
Still Morning
Acrylic on canvas
122 x 98cm
£1,250
MADOSINI
Noelle Griffiths
Madosini 2013
Bound book with soft covers, photographs, digital text & collograph. All archival ink. Signed limited edition of 6
19.5 x 21cm closed
£60
2010 A GARDEN WITH ITS BIRDS
Noelle Griffiths
A Garden with its Birds 2010
Bound book with collograph prints, digital text & mixed media drawings. All archival ink. Signed limited edition of 10
23 x 24cm closed
£95
2012 Midsummer
Noelle Griffiths
Dawn to Dusk - Midsummer Penllyn 2012
Concertina book with letterpress title, digital photographs & text. All archival ink. Signed limited edition of 30
18 x 24cm closed
£145
Two friends, Kim Atkinson and Noëlle Griffiths have spent time together in the landscape looking, listening and drawing what they see and hear. They meet each season at two locations close to their homes: mountain woodland and upland in Snowdonia and the coastal headland of the Llyn peninsula. These intense times of looking and being in the landscape have become the starting point for many of the pieces of work in this exhibition.
Kim Atkinson made the Clifftop Sounds paintings on the headland overlooking Bardsey, recording the sounds of the sea, seabirds and wind during the changing seasons. The Upland Mire series results from drawings made on the lower slopes of Snowdonia.
‘When I’m out walking, writing in my notebook is as important as drawing. It is a form of gathering and of understanding nature in its detail: the way birds, plants, rocks, weather make up a landscape.’
Noëlle Griffiths is showing five unique artist’s books Dawn to Dusk. On each of the Solstices and Equinoxes and on Midsummer’s Day, she recorded in words, drawings and photographs the sounds she heard hourly from dawn to dusk. Paintings related to this experience are titled Sounds in the Air and Sounds in the Trees. The series of paintings and artist’s books Island use her drawings made on the headland overlooking the island of Bardsey.
‘Increasingly my paintings concentrate on making visual the experience of being in the landscape. In each painting I want to create an atmosphere. Balancing ideas and memory with a more intuitive handling of surface and colour.’